Tuesday, 29 July 2014

The Sweet Soca Conundrum

Biggie Irie performing Pankatang at the 2014 Sweet Soca Finals dressed for the top spot...he is no longer the best man but the bridegroom-photo credit-barbadostoday.bb

Congratulations to... 
Biggie Irie on winning his first Sweet Soca competition in Barbados but Sanctuary with Mega Monday was my winner, which in my opinion the strongest sweet soca concept and lyrics wise. His 'highway overload' idea can be applied to any Caribbean Carnival culture in or outside the region. This song needs to be heard on Eastern Parkway in a few weeks time and cross the Savannah next year. Sanctuary must be commended for putting together a great performance on his first showing among the big boys as he is more known for his writing talents. Alas crowd response was on the criteria and  neither performer, performance nor song -from a man many thought was Trinidadian and many more have but a vague idea of what he looks like-were able to match the presence of the Red Plastic Bag's Roller Coaster  or Biggie Irie's  Pankatang arguably the most infectious song of the season next to Lead Pipe and Saddis' Ah Feeling which I expect to take the Road March but time will tell.

Enter Conundrum...
Biggie Irie one of the island's sweetest voices and a veteran performer remains the only non Trinidadian to capture the coveted Groovy Soca Monarch title the Trinidadian equivalent and predecessor of the Sweet Soca competition. I point out competition because healthy debate can be had about which island was first to develop the genre of slower groovier soca known outside of competition in Barbados for many years as Ragga soca. Such debate might be an exercise in futility but I can think of quite a few songs from the early 90's which would have been Sweet Soca title contenders. Adrian Clarke's Nice Time springs to mind but I digress.
Yes, Biggie in the absence of a Sweet Soca competition in Barbados took a sweet groovy ragga soca to Trinidad and Tobago and infected everyone with the chorus Nah going home. Despite this success abroad and a string of consistent hits and strong performances at home Biggie was unable to capture the coveted Sweet Soca crown as Miss TC took the first two crowns with Hot Sun and Riddim and Whole Day, followed by the stalwart Red Plastic Bag Once Upon a Wine Mikey's We Loose  and veteran Blood piping him at the line in 2013 with Can't Wait a.k.a King of the Stage. The latter competition Biggie was the expected victor with the infectious Need ah Riddim but despite a fantastic performance was out performed by Blood whose costume changes and addition of Sax man Arturo Tappin to the performance took him over the edge, plus his was the refrain everyone sang as Crop Over 2013 came to a close 'Ah can't wait for Crop Over/Carnival to come again.' Thus up until this year Biggie stood as proof to the biblical saying 'a prophet is honoured everywhere except in his own country among his own kin.'

Conundrum Continuum 
The Connundrum does not end here however as Biggie has entered Pankatang and Get Over a duet sung with upcoming songstress Imani which was reserve for the Sweet Soca final for the Pic-o-de-Crop where the latter was sung solo. History would show that Miss TC was unsuccesful at the Pic-o-de-Crop with Hot Sun and Riddum which strangely enough won not only the inaugural Sweet Soca but the Party Monarch-a competition in which the groovier ragga socas were said to be at a disadvantage to the uptempo pulsating party numbers...more on this in another post-that year making it a double monarch but the biggest loser on the Pic-o-de-Crop stage. Blood attempted the same last year when he took the King of the Stage to Pic-o-de-Crop to partner his social commentary. He fared better than TC emerging in the top four but still no cigar. So as one of my now embattled former history teacher's Rev.Charles Morris would say 'History does not repeat itself , People repeat history' and Biggie is set to do just that. The differences with Biggie and the aforementioned however  are Biggie's lack of experience in this competition as both TC and Blood were both perennial finalists, plus Biggie makes no pretenses of being a kaisonian armed with two sweet socas. Admittedly he tried that route last year when Need ah Riddim accompanied by a Mighty Gabby penned commentary took him to Pic-o-de-Crop semis but a missed cue in the latter saw him out of the contest. Biggie has learned from that experience and has instead this year brought the two sweet socas that took him to the crown and reserve for their rightful competition. Outspoken calypso critic Admiral maintains ad nauseam that despite the rules of the Pic-o-de-Crop do not state that it is 'Calypso' competition explicitly, that it is implicitly understood. I, never surprised by a decision in an NCF competition unless it favours the underdog-Still surprised Popsicle was allowed to win-think otherwise. Now only 'time will tell' as we await Friday's Pic-o-de-Crop, The conundrum continues...

Wednesday, 23 July 2014

Welcome

Apollo

Welcome to Apollo Kaiso, the blog of two Calypso enthusiasts sharing the same body. I imagine that requires some explanation; 

Well, The Apollo sometimes known as Mighty Apollo is a young Barbadian calypsonian with a traditionalist outlook in his approach to the artform. He has been the Calypso Monarch at the University of the West Indies Cave Hill Campus in 2010 and 2013 placing 2nd in 2009,2011, and 2012. He has judged in the preliminary stage of the Pic o de Crop competition (Barbados' National Calypso Competition) with the Kingdom of the Super Gladiators Calypso Tent since 2009 but has failed to advance to the semi-final or final stages of competition. Yet Apollo remains true to calypso by injecting wit, humour, irony and stinging sarcasm in creating calypsos which deal with social and political issues.

Andre Layne
Andre Layne is a graduate of the University of the West Indies with a Bachelor's Degree in History with Literature (Upper 2nd Class Hons.). His undergraduate thesis 'Power to the People: Calypso and the development of mass Political Consciousness In Post - Independent Barbados' means that Layne is also an avid calypso researcher. Layne is currently pursuing a Master's Degree in History with a continuing focus on the Calypso and other cultural and entertainment activities. 
Thus the calypsonian and the calypso researcher share the same personage. Certainly this represents the rule rather than the exception as this was also the case with pioneer calypsonian and calypso historian Raymond Quevedo a.k.a Atilla the Hun author of Atilla's Kaiso and Trinidad and Tobago's most winning Calypso Monarch the Mighty Chalkdust whose alter ego Dr.Hollis Liverpool is-like myself a school teacher by profession and historian by training - author of numerous books on Calypso and Carnival. 
From time to time Quevedo and Liverpool's names will emerge in the articles written on this blog as will the names Louis Regis, Keith Warner and Gordon Rohlehr all of whom have undertook significant research and writing on the Calypso in Trinidad and Tobago. Herein lies part f the problem this blog hopes to address. Calypso research and scholarly publications have remained quite limited in Barbados save for the efforts of  a few. Namely, the reverred former Director of Culture and inaugurator of the Festival Band Elombe Mottley who may be credited with the 'nationalisation of calypso' and U.W.I Cave Hill's head librarian Elizabeth Watson with her discographies on 10 time Calypso monarch Red Plastic Bag and 2 time winner and perrenial favourite John King. A handful of theses also exist on Calypso in Barbados-mine included-which remain unpublished and relatively unknown and inaccessible. 
Thus, this blog aims to remove central ideas and others from my thesis and future theses from the archives at the University onto the worldwide web where they can foster healthy informed discussions on the state of Calypso in Barbados.It is hoped that this blog can be used as a resource by calypso researchers, calypso fans, commentators and calypsonians alike in creating a better understanding of our artform. Having said that this blog does not claim to be the authority on Calypso in Barbados but rather presents perspectives based on observations and but not always scholarly research. That being said some articles may seem very wordy and academic while others will be, well the opposite.
Without further ado, WELCOME